Pixomondo

About Pixomondo

Pixomondo is a global visual effects company.
Pixomondo is a digital production studio focusing on commercial production for clients around the world. Pixomondo will be headed in the US by industry creative veteran Jonathan Keeton, working with his partners in the worldwide studios. The US studio will be based in a new 9500 square foot office complex in Santa Monica, California.

Keeton and Pixomondo founder Thilo Kuther, developed Pixomondo to create a complete a one stop commercial production entity with extraordinary digital knowledge and history of performance within the worldwide Pixomondo network.

“The goal of Pixomondo”, states Keeton, “is to offer our clients in the US every service including concept, design, live action shooting, direction, pre-vis, visual effects supervision, CGI and other digital visual effects tools, through editorial. Basically, we can do the spot from start to finish controlling the creative pipeline and the technology to support it. In today's digital world this saves time and money while enhancing the process”.

In the short time that they have been in existence, Pixomondo in the US has already completed three commercials, including one for BBDO Moscow and client Megafon directed by Steve Beck for which Pixomondo brought in Academy Award ® winning visual effects supervisor Mark Stetson, and a spot produced for Plum New York for the US Census Bureau directed by Miles Goodall.

Simultaneous to the launch of Pixomondo in the US, specialized teams have been set up in the existing European and Chinese Pixomondo offices to address the needs of commercial clients at the highest level. Pixomondo Europe and China have a long history of successful work with clients such as Porsche, Volkswagen, Chevrolet, Danone, Dr. Oetker and many more.

Pixomondo has great flexibility in that it carries in house several teams of artists who can be mixed and matched to best suit the client's creative needs while also permitting a tight group of freelance artists to participate subject to the projects at hand.

“The emphasis of Pixomondo is on concept and pitch exploration supported by a collaboration of filmmakers, designers and visual effects artists who can develop a creative and coherent vision every time we step in a client's office. We want to be smart about every step of the process through Public Art's multidiscipline staff around the world. The sun truly never sets for our clients and our ability to get the job done,” says Kuther.

Pixomondo has full access to Pixomondo's feature effects teams in Berlin, Frankfurt, Stuttgart, Munich, London, Shanghai, Beijing, and Santa Monica with further expansion on the horizon. The two studios exist together and share expertise and resources, which maximizes the power of the studio while keeping overhead low.

Production for commercials is becoming more global just like the film business. Pixomondo will rely on Pixomondo's global footprint and its feature film visual effects experience with 2012, The Red Baron, Hindenburg, Ninja Assassin, Percy Jackson and the Olympians, Suckerpunch and other feature work to enhance its creative and production capabilities.

“If you want to provide commercial clients with the best work in a cost conscious global marketplace, this is the way it must be done”, states Kuther. “Pixomondo is thrilled to add a creative visionary with his track record from Radium like Jonathan Keeton to Pixomondo. We are already ahead of our projected growth plan thanks the efforts of Jonathan and the deep talent pool at the studios around the world.”