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An increasing number of movies produced for cinema or television rely significantly upon visual effects. Highly complex collages, consisting of dozens of layers of real footage and digitally produced images, create the perfect illusion, which ideally goes unnoticed by the viewer.
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At our VFX department in Ludwigsburg, a highly specialized and international team of up to 74 digital artists, supervisors and coordinators is working on creating such invisible elements for feature films and TV movies.
The whole production process is carefully and deliberately planned, as well as professionally built and monitored. This ensures that a very large number of shots can be worked on with the highest quality settings in an extremely economic fashion — everything on time.
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Therefore, we offer industry-standard production procedures and structures, as well as the development of proprietary tools — perfect examples of such include our automated, daily-compositing pipelining system “The PUMP” and our “AR•T•IS•T Database”, a system built to administer and track shot allocations and clearings.
Because we implement a first-class theatrical release standard, using budgets far below the Hollywood average, we have a keen eye for bringing every single Euro spent to the screen — focussing simultaneously on efficiency and effectiveness.
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The technical base for creative and effect-based work is a render farm with more than 400 machines and 74 MAC/PC/LINUX workstations, all built upon the latest state-of-the-art hardware and software.
Having given you so many hard facts, we would now like to ask you to sit back, relax and enjoy an excerpt from our latest motion picture project “The Red Baron” — the film adaptation of the life of famous WWI pilot and combat ace Manfred von Richthofen.
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